EA-SAT · v1.2.2 · VST3 · AU · AAXSaturation · one of the 34
EA-SAT
Three machines of color. One drive knob.
Tube warmth, tape glue, console grit — distinct harmonic signatures on an alias-free oversampled path, blended with a loudness-safe MIX.
Own it
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Hear it · one instance · level-matched
Measured on this demo · method
Bench receipts · what shipped had to prove
- Ship-gate battery green · auval PASS
- Per-mode harmonic signatures ≥ 8 dB separated (tube even-led, tape/console odd-led)
- Aliasing ≤ −150 dBFS — ADAA inside 8× oversampling · loudness-safe MIX
Why it exists
Saturation plugins fail in two directions: character so subtle it's a placebo, or aliasing that reads as harsh digital fizz the moment you push.
EA-SAT commits in both directions. Three modes with genuinely different signatures — tube leads with even harmonics, tape and console with odd — and the drive path runs inside 8× oversampling so what you add is harmonics, not artifacts. MIX is loudness-compensated: blending never lies to your ears.
In the session
- Warm a vocal with tube evens — sheen without edge.
- Glue a bus with tape thirds the way a machine would.
- Grit up drums with console drive that stays clean of fizz.
- Push DRIVE knowing the loudness-safe MIX isn't fooling you.





